Monday, December 10, 2012
Sunday, November 18, 2012
How to Smooth Skin Without Losing Texture in Photoshop
There are several ways to smooth skin in Photoshop. All to often, however, skin can appear too smooth, fake, and synthetic. Today I will demonstrate a straightforward technique to help you smooth skin fairly quickly while preserving the texture of the pores. Let’s get started!
Final Image Preview
Take a look at the final image that we will be creating.Original Image
Before we begin, let’s take a look at the original image.Step 1
First, open your image and duplicate your background layer. Simply drag the layer onto the new layer icon in the bottom right of the layer palette. Now set the blending mode of this newly created layer to "Vivid Light."Step 2
Now, let’s invert this layer. Do this by pressing Cmd + I or Image > Adjustments > Invert. Then, apply a Gaussian Blur by selecting Filter > Blur > Gaussian Blur. Applying a blur filter to an inverted picture will make it look shaper. Use the slider until you can see the pores on her face.Step 3
Now let smooth the skin! Go to Filter > Other >High Pass. Move the slider until you are happy with the smoothing. You may notice some ghosting and other weird stuff around the eyes – just ignore it for now. Concentrate on the cheeks, forehead and nose.Step 4
Almost done! Create a new mask for the layer and fill it with black to hide the image. Switch your color to white, select the mask and start drawing on the skin with a soft brush. Start at the cheeks, move over to the forehead, the nose and stop on the chin. If the effect is too strong for your liking, just lover the opacity of the brush and you’re good to go!Final Image
We’re finished! I hope that you learned a few new techniques here. If you have a different approach, let me know in the comments!Monday, November 5, 2012
AKVIS Sketch Quicktime Transition
In this tutorial, we are going to use AKVIS Sketch with Photoshop (CS4+) to easily create a QuickTime movie that starts out with a sketch and transitions to a full-color photo!
Materials needed:
- Photoshop CS4+;
- AKVIS Sketch (This tutorial assumes you have installed as a plug-in);
- QuickTime plug-in;
- A model photo.
Original
Result
Step 1. Start with a model photo.
Step 2. With that layer active, press Ctrl + J (Windows) to quickly make a duplicate. Name the duplicate layer “Sketch.”
Step 3. With the “Sketch” layer still active, go to Filter -> AKVIS -> Sketch.
Call AKVIS Sketch plug-in
Step 4. You will now be taken to the AKVIS Sketch interface. Use the handy presets drop-down to select some nice pre-configured settings. Don’t be afraid to fine-tune the settings. I chose AKVIS Default.
AKVIS Sketch window
Step 5. Click the After tab. Aftera few moments of rendering, you will see how the image will look after the current settings are applied. If you are satisfied, click OK Sign, If not, continue to tweak the settings.
Processed image
Step 6. You will now be back in Photoshop, and the AKVIS Sketch filter will be applied to the “Sketch” layer.
Step 7. Let’s open up the Animation panel. Go to Window -> Animation.
Open up Animation panel
Step 8. If the Animation is in Timeline mode, open up the panel menu and choose Convert to Frame Animation. You will see one frame, and the thumbnail should reflect the active “Sketch” layer.
Panel menu
Step 9. You will see a time delay setting below the frame. Make sure that is set to 0.1 sec. Also, on the bottom left of the Animation panel, the Loop setting should be set to Once.
Frame settings
Step 10. Click Duplicate Selected Frame to make your second frame. Toggle off the visibility icon to the left of the “Sketch” layer in the Layers panel. The second frame in the Animations panel should now reflect the original photo layer.
Duplicate Selected Frame
Step 11. With the second frame still selected, click the Tween icon at the bottom of the Animation panel.
Tween icon
Step 12. A window will appear. Make sure to Tween With: Previous Frame. Set the Frames to Add: 10.
Tweening
Step 13. You will see that 10 frames will be added in between the two initial frames, for a total of 12 frames.
Step 14. Go to File -> Export -> Render Video.
Export
Step 15. Name your video, choose your save destination, leave the settings to default (unless you are an expert), and click Render.
Render video
Step 16. You will now have a QuickTime movie that shows your AKVIS Sketch blooming to full photographic beauty!
Final Result
The author of this tutorial is Andre Villanueva.
Thursday, September 13, 2012
How to Make a Timeless WEDDING Photo from a snapshot
Photoshop CS6 tutorial showing how to quickly transform any ordinary snapshot into a golden-hued, timeless image that will last forever. These techniques work especially well for wedding photos.
Thursday, July 19, 2012
Ways to become skinny in 3 minutes
How to become skinny in 3 minutes: This is an Old Photoshop work to show the power of this program. This video would show only one of thousand possibility that Photoshop offer to us. After using Photoshop for long time you will have anyway something to learn.
Thursday, July 12, 2012
Choose An Entry Level DSLR
People who own a point and shoot camera eventually want to move to having a DSLR. Other reasons could be you want clearer images, you want more control over your camera or you want to become a professional photographer.
Whatever your reason, you can start with having an entry level DSLR. This is lighter than the real DSLR and is more affordable as well.
So first things first. Consider the brand and you have many to choose from - Canon, Fujifilm, Kodak, Nikon, Pentax, Panasonic, Olympus and Sony. Most share the same features but if you often travel and take photos during special occasions, you need to pick a model that's easy to operate but at the same time one that can ensure image quality.
- The brand
- The sensor
- The body
Most entry level DSLR cameras today have quality plastic bodies. Weather sealing, however, is what gives the higher type or the professional DSLR the edge. Hopefully, this will be made available for the entry level models in the future.
- The material
- The resolution
Do understand that you need a higher megapixel camera only if you would like to print large photos. This is because printing a large size image requires more megapixels to produce clearer and crisper photos. A higher resolution is also ideal if you do extensive post processing of your images such as cropping without affecting the quality.
But if you just want to snap and store photos on your computer and share them online, then a 3.5 to 5 megapixel camera will do.
- The price
Monday, July 2, 2012
Web Designer and Web Designer Premium
Xara Web Designer is unlike any web design software you will have seen before; an easy template based solution that gives you total page design freedom, no HTML skills required. It comes in 2 versions, Web Designer and Web Designer Premium; Premium offers advanced web and graphic design features - find out more below
1) pick your design from the templates
2) customize it with complete freedom
3) publish.
Absolutely no HTML or Javascript skills are required!
Templates include individual web graphics, complete pages and even pre-built multi-page sites.
Web Designer includes customizable web graphic, webpage and website template designs plus tools for creating your own designs, for photo editing (an integrated ultra-fast, non-destructive photo tool), and for advanced text layout. The Designs Gallery also includes a collection of Widgets. Site upload is covered too and there's even a free web hosting offer!
Premium also includes a choice of e-commerce Widgets and a neat 'embed a website' Widget - perfect for embedding blogs, microsites and other sites within your page.
You can also easily remotely host a web meeting (a 'Webinar') to showcase your presentation, step by step and page by page, to a group of invited participants.
- There's no easier solution
1) pick your design from the templates
2) customize it with complete freedom
3) publish.
Absolutely no HTML or Javascript skills are required!
Templates include individual web graphics, complete pages and even pre-built multi-page sites.
- A one tool solution
Web Designer includes customizable web graphic, webpage and website template designs plus tools for creating your own designs, for photo editing (an integrated ultra-fast, non-destructive photo tool), and for advanced text layout. The Designs Gallery also includes a collection of Widgets. Site upload is covered too and there's even a free web hosting offer!
- Flash & GIF animation
- Extra Widgets
Premium also includes a choice of e-commerce Widgets and a neat 'embed a website' Widget - perfect for embedding blogs, microsites and other sites within your page.
- Website and remote presentations
You can also easily remotely host a web meeting (a 'Webinar') to showcase your presentation, step by step and page by page, to a group of invited participants.
- Animated page and layer transition effects
- Advanced graphics tools
- Download
Tuesday, June 19, 2012
Pixelated Portrait Effect
In this quick tutorial you'll learn how to add a subtle and stylish pixelated effect to portrait photographs.
With your photo open in Photoshop, first duplicate it's layer by dragging it to the new layer button at the bottom of the layer's panel.
With your photo open in Photoshop, first duplicate it's layer by dragging it to the new layer button at the bottom of the layer's panel.
Select the copied layer and go to Filter>Pixelate>Mosaic.
The Cell Size you use will depend on the size of your photo, for this one I've used 25.
Next give the layer a layer mask by clicking on the layer mask button.
Select the Gradient Tool and use a black to white Linear Gradient.
With the layer mask thumbnail selected, draw the gradient horizontally across a small part of the front of the face, or wherever you want the pixels to begin.
Finally set the Layer's blending mode to Hard Light, and take it's Opacity down to 70%.
Here's the Final Result..
Wednesday, June 13, 2012
Three Ways to Select Your Image in Photoshop
This tutorial will introduce you to three very different and very simple ways to help select your image. Selection is the basis to running it all in Photoshop.
Method No.1. "Edit in Quick Mask Mode"
1. Open an image in Photoshop.
2. Select brush tool and set its size according to what you select on your image. For example, set the brush size to 8 pixels when you select something really tiny.
3. Foreground color must be black.
4. Before applying the brush to your image for selection, click on Edit in Quick Mask Mode. Now your brush is ready for selection. Notice that the areas you apply your brush to turn pink. If your selection goes out, you can fix it by first setting the foreground to white, and then using your brush tool to ‘erase off’ the unwanted selection. To continue your work, ensure that you reset the foreground color to black. To make it easier on your nerves, you might want to try zooming in and out on your image. It really helps.
5. To zoom in press CTRL +
6. To zoom out press CTRL -
7. When you’re satisfied with the selection you’ve made, click on Edit in Quick Mask Mode again.
8. Press CTRL+SHIFT+ I
9. Now press CTRL + J. A new layer consisting of only what you’d selected will be created.
That’s method 1.
Method No. 2. "Quick Selection Tool"
1. Open an image in Photoshop.
2. Select Quick Selection Tool.
3. You can change the size of the selection tool according to what you select on your image. Also, you must take note of two more important features. These are the angle and the roundness of the selection tool. You can change these depending on your selection needs.
4. To fix a selection, or to deselect a selection, use the Subtract from selection tool.
5. Press CTRL + J
That’s method 2.
Method No. 3. "Color Range"
1. Open an image in Photoshop.
Now I am going to select all flowers. For this image the best way of selection is Color Range.
2. Go to Select > Color Range.
3. Pick the Eyedropper tool and click on the red color on your image. To select the different shades of red on your image, make use of the Add to Sample tool.
When you’re done, just click OK.
4. Press CTRL + J.
That’s method 3.
Now, to change the background of your layer with another image, you can simply load a new image and drag and drop it onto the selection layer.
Method No.1. "Edit in Quick Mask Mode"
1. Open an image in Photoshop.
2. Select brush tool and set its size according to what you select on your image. For example, set the brush size to 8 pixels when you select something really tiny.
3. Foreground color must be black.
4. Before applying the brush to your image for selection, click on Edit in Quick Mask Mode. Now your brush is ready for selection. Notice that the areas you apply your brush to turn pink. If your selection goes out, you can fix it by first setting the foreground to white, and then using your brush tool to ‘erase off’ the unwanted selection. To continue your work, ensure that you reset the foreground color to black. To make it easier on your nerves, you might want to try zooming in and out on your image. It really helps.
5. To zoom in press CTRL +
6. To zoom out press CTRL -
7. When you’re satisfied with the selection you’ve made, click on Edit in Quick Mask Mode again.
8. Press CTRL+SHIFT+ I
9. Now press CTRL + J. A new layer consisting of only what you’d selected will be created.
That’s method 1.
Method No. 2. "Quick Selection Tool"
1. Open an image in Photoshop.
2. Select Quick Selection Tool.
3. You can change the size of the selection tool according to what you select on your image. Also, you must take note of two more important features. These are the angle and the roundness of the selection tool. You can change these depending on your selection needs.
4. To fix a selection, or to deselect a selection, use the Subtract from selection tool.
5. Press CTRL + J
That’s method 2.
Method No. 3. "Color Range"
1. Open an image in Photoshop.
Now I am going to select all flowers. For this image the best way of selection is Color Range.
2. Go to Select > Color Range.
3. Pick the Eyedropper tool and click on the red color on your image. To select the different shades of red on your image, make use of the Add to Sample tool.
When you’re done, just click OK.
4. Press CTRL + J.
That’s method 3.
Now, to change the background of your layer with another image, you can simply load a new image and drag and drop it onto the selection layer.
Tuesday, June 12, 2012
Taking Memorable Photos of Children
By Nancy Hill
Children are a favorite subject for many photographers. Advertisers know a photo of an adorable child will grab people’s attention. Fundraisers know an image of a sick, wounded, or sad child will bring in donations. And parents cannot imagine a better subject than their child. Parents take cameras to sporting events, school functions, and parties. It seems like every moment of a child’s life is documented either in a still photograph or in a video. But how many photos of children are truly memorable?
Here are some tips on getting shots that draw total strangers into your photographs of children.
Take Time to Get to Know the Child
Most children let you into their world quickly. Before you start taking a picture, spend at least 10 minutes talking to the child. Ask questions about things that interest the child. Good openers include:
“Do you like bugs?”
“Would you rather be a giraffe or a butterfly?”
“What’s your favorite game?
Pay attention to how the child responds. Does he/she make eye contact? Capture that confidence when you take his/her picture. Does the child laugh at the questions or seriously contemplate them? Look for that sense of whimsy or pensive side when you take the picture. Does the child doodle when he/she responds? Then look for ways to show the child is creative. Does the child twist her hair while she’s thinking? Great. Include that in a photo.
If you’re taking photos of your own child, you already know your child’s personality traits, his/her habits, his/her facial expressions. Capture those instead of (or in addition to) a posed in-front-of-the-camera smile.
Observe, Observe, Observe
After you talk to the child, explain you’re going to get your camera ready and back away. The child will soon lose interest in you, giving you a chance to observe the child relating to the world. Inquisitive? Intent? Distracted? Capture that in your images.
If you’re taking photos of your own child, try observing your child as if you don’t know him/her at all. You’ll probably see some things you haven’t noticed before.
Be Unobtrusive
Use a telephoto lens. The best photographs of children are those when a kid is acting like a kid. To capture that and all the emotions that go with it, you need to be an unobtrusive as possible. Use a telephoto lens so you can have some real distance between you and the child. This will help the child tune you out and do whatever he or she does best, whether it’s play, dream, run around, make up stories. Capture that.
Alternately, move in close to the child to capture a curve of the cheek, curls tumbling down a forehead, eyes deep in thought.
Show the Child’s Environment
Try to take your photographs in a place that means something to the child. A bedroom, playroom, playground, field – all of these say something about how the child relates to the world. Does the child run freely across the open field or sit quietly reading a book? Does the child see how high he or she can climb a tree or does he/she prefer to lean against it and pet his/her dog? Is the child’s room spotless, showing the child’s organizational bent, or is it a wild jumble of clothes and toys?
Look for the Extraordinary in the Ordinary
Take photos of the child doing everyday things like eating breakfast, elbows on the table, hair not yet combed; sleeping, curled up with a favorite animals or spread eagle, blankets off, bold even in sleep; doing homework, scowling over a difficult problem or with one eye on the TV. These say a whole lot about who the child is, which is way more moving than a posed photo with perfectly combed hair and a brand new outfit.
Try Shooting in Black and White
This really adds drama. Check it out. You can have black and white prints made from color negatives. You can also turn digital prints into black and white either in your camera (depending on which camera you use) or in a photo software program.
Above all, respect the child’s world. It is complex, compelling, and very, very deep.
Children are a favorite subject for many photographers. Advertisers know a photo of an adorable child will grab people’s attention. Fundraisers know an image of a sick, wounded, or sad child will bring in donations. And parents cannot imagine a better subject than their child. Parents take cameras to sporting events, school functions, and parties. It seems like every moment of a child’s life is documented either in a still photograph or in a video. But how many photos of children are truly memorable?
Here are some tips on getting shots that draw total strangers into your photographs of children.
Take Time to Get to Know the Child
Most children let you into their world quickly. Before you start taking a picture, spend at least 10 minutes talking to the child. Ask questions about things that interest the child. Good openers include:
“Do you like bugs?”
“Would you rather be a giraffe or a butterfly?”
“What’s your favorite game?
Pay attention to how the child responds. Does he/she make eye contact? Capture that confidence when you take his/her picture. Does the child laugh at the questions or seriously contemplate them? Look for that sense of whimsy or pensive side when you take the picture. Does the child doodle when he/she responds? Then look for ways to show the child is creative. Does the child twist her hair while she’s thinking? Great. Include that in a photo.
If you’re taking photos of your own child, you already know your child’s personality traits, his/her habits, his/her facial expressions. Capture those instead of (or in addition to) a posed in-front-of-the-camera smile.
Observe, Observe, Observe
After you talk to the child, explain you’re going to get your camera ready and back away. The child will soon lose interest in you, giving you a chance to observe the child relating to the world. Inquisitive? Intent? Distracted? Capture that in your images.
If you’re taking photos of your own child, try observing your child as if you don’t know him/her at all. You’ll probably see some things you haven’t noticed before.
Be Unobtrusive
Use a telephoto lens. The best photographs of children are those when a kid is acting like a kid. To capture that and all the emotions that go with it, you need to be an unobtrusive as possible. Use a telephoto lens so you can have some real distance between you and the child. This will help the child tune you out and do whatever he or she does best, whether it’s play, dream, run around, make up stories. Capture that.
Alternately, move in close to the child to capture a curve of the cheek, curls tumbling down a forehead, eyes deep in thought.
Show the Child’s Environment
Try to take your photographs in a place that means something to the child. A bedroom, playroom, playground, field – all of these say something about how the child relates to the world. Does the child run freely across the open field or sit quietly reading a book? Does the child see how high he or she can climb a tree or does he/she prefer to lean against it and pet his/her dog? Is the child’s room spotless, showing the child’s organizational bent, or is it a wild jumble of clothes and toys?
Look for the Extraordinary in the Ordinary
Take photos of the child doing everyday things like eating breakfast, elbows on the table, hair not yet combed; sleeping, curled up with a favorite animals or spread eagle, blankets off, bold even in sleep; doing homework, scowling over a difficult problem or with one eye on the TV. These say a whole lot about who the child is, which is way more moving than a posed photo with perfectly combed hair and a brand new outfit.
Try Shooting in Black and White
This really adds drama. Check it out. You can have black and white prints made from color negatives. You can also turn digital prints into black and white either in your camera (depending on which camera you use) or in a photo software program.
Above all, respect the child’s world. It is complex, compelling, and very, very deep.
Monday, May 28, 2012
How to design Blog Calendar Icon in Photoshop
In this Photoshop tutorial you will learn how to design Blog Calendar Icon. We will be using some tools like Rectangle Tool, Marquee Selection Tool, Horizontal Type tool etc. We will also learn some Layer Styles techniques like, Gradient Overlay, Inner Glow, Drop Shadow, Inner Shadow etc. Nice tutorial for those who are new to Photoshop and wanted to learn Icon Design technique. Lets start.
Step 1:
Let’s start out by creating a new file. I used a 200×200 pixels canvas set at 72dpi, and I filled my background with #D0E8EA color shade. In a new layer, draw a gray rectangle with #A7A7A7 color shade and 96 x 63 px dimensions.
Step 2:
Under Layer add a Gradient Overlay blending option to your gray rectangle layer.
Result:Step 3:
In a new layer, draw a white rectangle with 92 x 45 px dimensions. Then cut the bottom left corner as shown below.
Step 4:
Under Layer Style (Layer > Layer Style) add a Gradient Overlay blending option to your white rectangle layer.
Result:Step 5:
In a new layer, draw a light gray right triangle on the cut out corner of the white rectangle. Then in another layer, draw a red rectangle with #FF0000 color shade and 92 x 17 px dimensions.
Step 6:
Under Layer Style (Layer > Layer Style) add an Inner Glow blending option to the red rectangle layer.
Result:Step 7:
In a new layer, draw a small gray rectangle with #D2D2D2 color shade and 6 x 12 px dimensions as shown below.
Step 8:
Under Layer Style (Layer > Layer Style) add a Drop Shadow, Inner Shadow, and Gradient Overlay blending options to the small gray rectangle layer.
Result:Step 9:
Duplicate the small gray rectangle design and place it as shown below. Now select the Horizontal Type Tool then set the font family to Arial, regular, 12 pt, none and white color shade. In a new text layer type the month on the middle of the small gray rectangle designs.
Step 10:
In a new text layer add the day using font Arial, bold, 20 pt, smooth, and #6D6D6D color shade. Then in another text layer add the month below the day with smaller fonts.
Results:
So here is our Final Clean Blog Calendar Icon Design which we just made in Photoshop, hopefully you like working on it and learn something by following this tutorial.
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